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M**H
Very Interesting
Bought this oddly for my college class: Adobe InDesign. I was confused to not be getting an InDesign Manual. Ordered it anyways (As if I had a choice..) got here last week, and skimmed through, read the intro, and have read the first chapter for the assignment so far. It is very interesting. I love the examples in the text. This isn't an ordinary textbook with endless footnotes, and stupid photos of people trying to engage you in the subject. It's professional. It's clean. It's simple. Kimberly Elam wasn't trying to fill a textbook with pointless information we don't need. She filled the book with 7 subjects, and kept them all in their own chapter (not unit). I feel like I'm been taken seriously.Being a Graphic Design Major (Undergrad, Sophomore at Colorado Mesa University) I do believe that this is one of those books I will hold on to and keep referring back to for ideas, and more information on a concept I will be working on. I read this far and I have put the examples to life in my own work. My professors are impressed.If you need this for school, don't drop the course; The book is really interesting. If you're a professional Graphic Artist perhaps you need to brush up on your typography skills or need more ideas. This one has plenty of it.My name is Kevin MeschThanks for reading. Look for my other reviews on here.
E**Y
One of the most helpful textbooks I've ever had
I am not a text book person usually, but this book is gold. I use it constantly for school and personal projects. It should be on ever graphic designer's shelf.
G**X
Here you go, Architects!
I feel like most Architectural graphic books are simply offensive because:1. Architects have a lot to say2. Architects don't know how to do graphics3. Architects know how to manipulate space and form, but for some reason don't know how to do that with type on paper.There is most definitely an art to doing graphic process books and this is the step by step guide to teaching people how to do it right.Remember negative space people!Sometimes the most powerful messages are the ones that are between the lines.
A**R
Four Stars
Great reference book with good examples
J**E
It's a great classic book that's easy to understand
It's a great classic book that's easy to understand. Recommended for beginners, but since it is the basics, it is a good book to go back to for experts, too. :)
J**Y
Fantastic book!
I am a Graphic Design student and I've found this book to be an excellent purchase. The book is informational and backs up the information with very good examples and guidelines to achieve the design examples presented.
B**L
I needed this for school and I got it and ...
I needed this for school and I got it and everything- but what a weird jumbled book. Considering that it’s for graphic design you’d think it would be put together in a more understandable way. Sheesh.
S**B
Very Useful
I purchased this book as required text for my Typography II class and it has been an invaluable tool on becoming a better designer for a base platform of design layouts. The categories are broken down into basic forms that work well.
D**R
A very helpful book
Beautiful and very helpful book. A must, I would say.
F**I
"e mo sta scritta come la metto?"
Il libro si lascia leggere, guardare e "imparare" in una maniera efficace e relativamente semplice.Impaginare il testo (che si tratti di un libro o di un manifesto) è un'arte e soprattutto una saggezza.Pagine di nozioni si danno il tempo con esempi pratici; in aiuto ci sono anche delle pagine trasparenti con stampati le griglie guida per il testo – quest'ultimo elemento è un pò il marchio della collana se vogliamo (l'altro volume è Grid Systems).Consigliato a studiosi, studenti e professionisti del settore.
J**L
Astuces typographiques
En quelques mots, voici un livre étonnant de part sa qualité en rapport avec son faible prix. Toute personne travaillant dans l'infographie devrait l'acquérir.
D**N
Excellent reference
First came upon this book during a Design and Layout course - excellent book. It shows how to make typography work to its best potential and the importance of symetary for layouts. It helps educate the reader/user that negative space on the page is not a bad thing - while at the same time showing you how to give your works the WOW factor. Its a must for anyone working in design, from the fledgling to the design director. A must have for any studio!
M**O
Five Stars
Great quality og book and super fast delivery
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